Yad Vashem Sculpture Garden #4

Eddie was more than a hero, Mrs Meechum. He was our friend.

Claire Underwood, House of Cards

  • P[o]ignant Graffiti with Unsettling Sack
  • Yad Vashem Sculpture Garden #4
  • Yad Vashem Sculpture Garden #1
  • Yad Vashem Sculpture Garden #3

Death

About

The Trail

Monday, May 20th, 2024

Sunday, March 31st, 2024

It’s in The Guardian so you know what’s coming in this restaurant review of Freddie’s, a New York-style non-kosher Jewish deli, plus they telegraph it in the title, so that in falling for the clickbait I skip the whole salt-beef bit to the predictable meat of the thing:

For all my lack of faith or observance these dishes, kept alive by a vestigial memory of the shtetl, root me. Then I hesitated. Could I really write about a Jewish restaurant given the current political turmoil? Would I get abuse for doing so? Surely better to keep shtum. At which point I knew I had no choice: I had to write about it. The horrendous campaign of the government and armed forces of Israel in Gaza cannot be allowed to make being Jewish a source of shame. When Hamas mounted their 7 October attack on Israel, they committed both an atrocity and a provocation. With so many hostages taken, there were no good options for the Israeli government. Nevertheless, they managed to choose the very worst one. They have killed thousands, starved many more, destroyed homes and turned their country into a pariah. As it happens, they have also made life for Jews who live outside Israel and have no responsibility for the decisions its government takes, so very much harder. I deplore what Israel is doing. But that doesn’t mean I can “refute” my Jewishness. That is a surrender to antisemitism. And so I sit here with my terrific salt beef sandwich and my chocolate mousse, indulging that bit of my Jewish identity which makes sense to me. It’s not much, but it’s all I have.

As a British Israeli my reaction to this sort of thing is always a multi-level “ugh”. But having returned recently to my native Glasgow for a Jewish funeral, I was reminded of what I would likely have been if my parents hadn’t made Aliyah to Israel when I was a child ⁠— and moreover since I have now lived in the UK again for a long time is arguably what I have reverted back to being. (Noooooo!)

Nonetheless it’s hard for me to feel anything but contempt for people who stroke the tiger in the hope it will eat them last.

And yet I must understand that as people who are primarily Britons their prism is the BBC, and as right-thinking people it’s likely The Guardian and its ilk, so this is what they may actually believe. But is the reviewer truly speaking in good faith? He says Israel chose the very worst course of action but does not articulate what other better ones might have been; write a very stroppy letter?

Also, if a sandwich is the extent of his Jewish identity, he’d probably do better shucking it off altogether and embracing something else more all-encompassingly. I don’t mean that disparagingly, but men are meaning machines and if he’s not getting much out of Judaism then it is occupying a space in his soul that could perhaps otherwise be more fruitfully filled.

Levantine Israel is such a monumental and cosmic gift ⁠— especially for the rain-soaked British Jew who must otherwise seek any anthropological depth in Druidism and sun in other countries such as Spain (a pretty fabulous alternative it’s true). So I think it is folly for a British Jew to not embrace that mainline connection to Israel; Britons have a passion for the Middle East and now Jewish Britons have their own ancient piece of it again.

But that is all very well when it was done for you as a child or if you are wealthy enough to maintain an additional home and travel frequently. But for most of us, as I was reminded at the funeral, we grow up and get up and go to work, lifelong dalliances with distant exotic countries way beyond reach. And even for those who have the means to have additional homes, the center of gravity of their psyche and viewpoint is British. I need to understand that about British Jews who did not make Aliyah, which is most of them.

On one hand, I can see how the current war unites Jews in their fate, while on the other I can see how the cleavage in the West between appeasement and struggle runs right down the middle of Diaspora Jewry.

Saturday, September 24th, 2022

Friday, January 21st, 2022

Inverse is a beautifully designed web magazine [should Web be capitalized?], a Joshua Topolsky joint alongside a stable of others that I’ve noticed are designwise a cut above what else is out there ⁠— Input, which is similar to Inverse and actually the two seem to unhelpfully overlap ⁠— and W, a women’s fashion mag also published by Bustle Digital Group that I normally wouldn’t have noticed but am enjoying the design.

Yet outstanding web artisanship notwithstanding, can a magazine survive if it feels ultimately corporate, which seems a danger when the job title changes from co-founder or Editor-in-Chief to Chief Content Officer, Culture & Innovation?

In Inverse the writing itself feels pretty generic, less tours-de-force by expert than relentless plodding coverage. Article after article appears on a single scroll; you never reach the end of the page, and although this is convenient, I’ve never liked this innovation, I feel overwhelmed and exhausted by it.

While the pages as a whole look great, the fact is I am not reading the articles; the san-serif body text looks like it’s less to be read than looked at. Also, it’s too far to the right on the screen. And there’s a little wobble.

From the case study by web shop Code and Theory, it appears Input and Inverse have been merged onto the same content management system, and Input was Topolsky’s technology mag baby but BDG also acquired science and entertainment site Inverse from elsewhere. No wonder the overlap.

They have a rationale for the infinite scroll:

In a world where scrolling through feeds feels second-nature, we designed Input and Inverse without traditional homepages. Upon landing on inputmag.com or inverse.com, readers see an infinite scroll of stories. Each story offers a snippet ⁠— the headline, maybe a quote, or a key stat, along with some information. The reader can then expand that story in the feed to read more, or continue scrolling.
When one story finishes, users scroll right back into the infinite stream of stories.
The stream can also be interrupted by rocks ⁠— curated content modules, e-commerce breakers and other fun interactive moments for the reader.

Maybe I’m unrepresentative of what most people like to do on the web, but I think this approch misguided. On an infinite scroll, reader becomes skimmer. Now maybe skimming is what you actually want readers to be doing on your site, not really reading the articles, thereby perhaps seeing and acting more on ads? All well and good, but skimming is less valuable and satisfying than reading an article set in a serif where the page ends when the article ends. If I read a piece, I want to feel I’ve read a piece.

One more thing: none of the subtitles has been informative but neither are they witty, rather they demonstrate that what’s leading is design not content.

Wednesday, December 8th, 2021

The Man with the Golden Gun

Ian Fleming

Surely I’ve read The Man with the Golden Gun before, given that this mangy old paperback has been on my bookshelves since 2006? Perhaps, but I remember nothing.

Some scenes that seem somewhat vivid for now:

  • The middle: James Bond meets kind-hearted Tiffy, the manageress of a Jamaican cathouse, before finding Scaramanga, who promptly does something totally awful
  • The end: As Scaramanga’s temporary assistant, James Bond machinates and maneuvers around the underfunded hotel that the assassin is building
  • The beginning: M ruminates over his decision to send Bond after Scaramanga

Right now the best part seems to me M’s internal monologue after a brainwashed James Bond, back in London after imprisonment in Russia, fails to assassinate him at his desk (a glass screen plummeting down from the ceiling to block the poison Bond has fired, foreshadowing the spirit of gadgetry to come in the movies).

In wake of this domestic excitement, as M calls it, he decides to send Bond after Scaramanga, who has killed some British agents, figuring the Double-O will either succeed in killing the fellow and thereby redeem himself, or conveniently die trying.

Chief of Staff Bill Tanner thinks this cold-hearted, as Scaramanga is so dangerous. M takes a solitary lunch at his club Blades, troubled presumably over both the event and his subsequent decision, but we are only privy to his thoughts once on the ride back to the office, when he reassures himself that his decision really was wise ⁠— indeed he almost can’t believe that his instant instinctual choice stands up so well to scrutiny. This is our glimpse at leadership. The rest of the novel ⁠— and the entire series ⁠— is our exploration of manliness.

In the movie we lose this brief inner turmoil from M, but we gain a more impressive (though not sufficiently so) Scaramanga in Christopher Lee, who is as suave as Fleming’s assassin is lunky; and we get fabulous Thailand instead of, yet again, Fleming’s Jamaica. To make a long story very short, we’re rather missing Nick Nack.

Sunday, December 5th, 2021

Being Mortal: Illness, Medicine and What Matters in the End

Atul Gawande

The invaluable Atul Gawande crafts a sensible, anecdote-rich picture of the current state of elder care.

He begins by telling the somewhat idyllic-sounding tale of how his own grandfather lived into old age back in India, contrasting this with the increasingly institutionalized way that aging is handled in more modern society. Surprisingly, he points out that anyone who can abandon this multi-generational way of living does so ⁠— it’s no paradise.

Gawande is always a deft, humane companion, one of our great medical writers, and if nothing else, the various ways he recounts people’s health failing and ultimately dying brings to the fore what we should keep in mind.

He wants people to be more mindful, prepared and aware of the limits of medicine, which he believes will make them less likely to make the mistake of over-treating, noting a number of times that relatives remain depressed and traumatized by a loved-one’s death much longer when they have chosen to keep them alive using invasive treatments.

He also notes his new understanding of hospice treatment, not that is no treatment, but that the goal of life duration stops being the be-all-and-end-all.

I don’t particularly want to revisit this well-structured book, but it’s a necessary ordeal.

Wednesday, December 16th, 2020

Saturday, August 15th, 2020

12 Rules for Life: An Antidote to Chaos

Jordan Peterson

Jordan Peterson has huge charisma, period, and his recent travails serve to render him even more human. His efforts to ground our current unmoored times (the chaos referred to in the title) in the fertile garden of our intellectual and spiritual heritage (the curative order) are the work of the angels.

The first of his 12 Rules for Life is Nietzschian, an evolutionary biological backgrounder for the maxim to fake it till you make it. The second is Rousseauian: we must love ourselves with amour de soi rather than amour-propre. But the whole thing ⁠— and particularly this second rule ⁠— is peppered with discussion of founts fundamental to me ⁠— Genesis, Taoism, Jung ⁠— so that the book feels like it fell out of my own mind, albeit a more disciplined, erudite, deeper version.

Either because of this over-familiarity or because the book is in fact junk food, I cannot remember anything of it as I revisit a few weeks later to write this. Is Peterson merely an Alain de Botton of the Right, a popularizer / informal codifier of what every self-respecting Westerner already knows? Either I need to pick up the book and start again, or perhaps stop reading everything else and get back to the Bible, Plato and Aristotle.

Wednesday, April 1st, 2020

Monday, March 9th, 2020

Sunday, March 1st, 2020

Becoming Steve Jobs: The Evolution of an Reckless Upstart into a Visionary Leader

Brent Schlener and Rick Tetzell

Although the simple thesis gets repeated interminably, nonetheless it’s a nice one: that Steve Jobs’s greatness stems muchly from his constant becoming, constant learning, constant trying to overcome himself (hence the title, which can be read as descriptive).

It’s great to be in his company, which you feel you are, as one of the authors was himself repeatedly so for decades.

One thing new to me was Pixar’s role in maturing Jobs; we don’t often read about who and what shaped the shaper.

Tuesday, September 17th, 2019

Sunday, May 26th, 2019

Sunday, June 17th, 2018

Sunday, May 20th, 2018

The Closing of the Hi-Gloss Colonel of American Letters Tom Wolfe’s Eyes. The New York Times obituary by Deirdre Carmody and William Grimes.

Sunday, April 1st, 2018

Saturday, August 12th, 2017

Sunday, June 11th, 2017

Friday, January 6th, 2017

Tuesday, September 20th, 2016

Tuesday, July 26th, 2016

Gateway

Frederik Pohl

Published in 1976, the themes nonetheless feel contemporary some 40 years later: environmental destruction, economic inequality, social alienation, childlessness. It’s all very naturalistic. We never encounter any aliens because they are long gone, and we don’t understand their amazing technological artifacts at all. And the people are in constant emotional turmoil.

Published in 1976, the themes nonetheless feel contemporary some 40 years later: environmental destruction, economic inequality, social alienation, childlessness. It feels very naturalistic: we never encounter any aliens because they are long gone, and we don’t understand their amazing technological artifacts at all. But we’re trying, we’re organized, fumbling around for it, and desperadoes like our (male) narrator Robinette Broadhead are at the vanguard of discovery, setting out in the alien pre-programmed spacecraft in a gold rush for more abandoned alien technology.

The committee that runs the colony from where it happens is also very nicely depicted in that it’s harsh but seems meticulously fair; large sums of money are doled out to successful pilots.

As well as the scenario and setting, the characters and their tales are also naturalistic: they’re in constant emotional turmoil. It’s an interplanetary human society that without religion and tradition leaves many of its members morally rudderless.

Only the narrative device of telling the story to an AI psychotherapist feels a bit clunky.

Assigned by the Brighton Science Fiction Discussion Group.

Saturday, March 19th, 2016

Monday, March 7th, 2016

Friday, February 5th, 2016

Monday, January 18th, 2016

Wednesday, November 18th, 2015

Monday, August 18th, 2014

Tuesday, August 12th, 2014

Tuesday, August 5th, 2014

Monday, April 28th, 2014

Monday, August 12th, 2013

Friday, March 8th, 2013

Wednesday, January 16th, 2013

Tuesday, October 9th, 2012

Thursday, August 16th, 2012

Friday, August 3rd, 2012

Wednesday, July 18th, 2012

Saturday, July 14th, 2012

Sunday, July 1st, 2012

Tuesday, May 29th, 2012

Saturday, May 19th, 2012

Wednesday, April 25th, 2012

Saturday, February 18th, 2012

Friday, December 16th, 2011

Monday, December 12th, 2011

Thursday, December 1st, 2011

Sunday, November 27th, 2011

Friday, October 21st, 2011

Monday, September 19th, 2011

Tuesday, August 9th, 2011

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