P1010087

Stars, Stripes & Superlatives

Here in Los Angeles I am bombarded with superlatives. Daniel’s record collection. The Bikram Yoga College of India world headquarters. Larry David’s Curb Your Enthusiasm. All mixed in with the most ravaging mediocrity.

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or me personally, being here in the United States is enough of a big deal so that every intake of breath while looking at things is a privilege. But I’m staying in a place where that is a bit of an effort: the heart of downtown Los Angeles. As you walk the streets, I’d say 1/3 of the time you are assaulted with the smell of urine. You don’t think you’d miss the chain stores until you are in a place that they view as too poor to invest in. People roam the streets with shopping carts, as supplied for the homeless, so their labels say. We watched Shaun of the Dead and downstairs here kind of echoes that zombie shuffle, mixed in with some Tourettic tic tics (tock).

Nonetheless, arriving here in Los Angeles I was bombarded with superlatives. When people do something here they do it obsessively, which is the only way really to “come to something”. Daniel now has a place big enough to store his vinyl collection and we perused it upon my arrival. The shelves are squares, each one being a genre of sorts. Musicological recordings of anthropological interest. Sun Ra. Miles. 20th century classical. There’s one from Iraq with a large portrait of Saddam Hussein on the inside cover. Sound effect libraries. Specialty labels.

The Bikram Yoga school: how superlative that is. It has a laundry at the back, and you can use as many towels as you need. It always smells fresh in the studio, despite the sweat people drop into the carpet. The instructor we had was Juan, one of the few times I’ve had a male one, and he was a powerhouse, slipping in wit and wisdom that only come with struggle and strength. Daniel told me he’s a former pastry chef from Barcelona. There is something so special about the Bikram College of India world headquarters. First, it’s so unassuming. Although downtown has grand buildings with carved stone, Los Angeles seemed to follow the post-WWII movement of plainness, and a dynamic beneficial human movement like Bikram Choudhury’s yoga is headquartered in a completely nondescript strip-mall building, its signage as plain as that of an oil change shop. Inside, it’s so spacious. It’s being constantly looked after with cleaning and laundry staff as well as someone at the desk and the instructor. The unisex steam room is heated with eucalyptus and set so hot and steamy that you can barely see anyone else in there, and if you move too rapidly you could scald your skin. Because it’s so hot you’ve no choice but to breath slowly or else you’ll scald your insides.

And we’re watching Curb Your Enthusiasm, set here in and around town, about the foibles of a man, Larry David himself, who demonstrates that even once you’re superlatively successful beyond what most people can even imagine, you remain your klutzy self.

Now tonight I met Jason, a web developer who’s building new things with an instinctive eye to processing efficiency and elegance, not just getting the thing to work. He’s got so many cutting-edge things wrapped in there ⁠— I feel in comparison mired in retardation.

And yet the superlatives are all mixed in with the most ravaging mediocrity. That’s part of the magic here. I thought the food in Britain was somewhat lackluster; it’s worse here. Every breakfast so far has been lousy. Well, not entirely ⁠— the pancakes have been tasty, though pancakes for breakfast really isn’t my thing ⁠— but I believe I’ve fallen out of love with the diner. They can’t fry an egg here properly; the white around the yolk is never fully cooked, so it’s still liquid. As for poaching an egg, I don’t think they’d even consider trying that, though next time I’ll ask. Britain does breakfast much better.

That said, the ethnic restaurants around here are truly the real shebang, not thematic affairs dreamed up to satisfy the Caucasian punters’ quest for something novel. We went to Soot Bull Jeep tonight, a Korean restaurant, by and for Koreans. The previous night we went to a Vietnamese place that was also great. Very plain and unpretentious. Every restaurant seems to be brown, with brown imitation-wood formaica surfaces. Around the corner from Daniel’s place is the bizarre Cliftons Cafeteria. That’s brown as well.

How I love the street signs, how they simplify and clarify things. At each junction the name of the cross street hangs boldly in front of the traffic lane in the signature san-serif typeface, lacking any unnecessary confusing suffixes such as “St”, “Rd”, “Ave” or “Blvd”. To me these signs are emblems of freedom and Manifest Destiny, the standardization of an entire continent, the laying down of the most superlative playing field ever.

The Trail

Sunday, June 21st, 2026

The Software Architect Elevator: Redefining the Architect’s Role in the Digital Enterprise

Gregor Hohpe

Engaging, pleasant, timely and knowing, I was nonetheless somewhat disappointed by the thinness of this book. That said, I’m about to read his next one, Platform Strategy, which is really is the one I wanted to read.

In his Contraptions substack, Venkatesh Rao notes an obvious split that I never fully saw: thinky versus writerly writers:

Those who write to think typically resist any attempt to change the content of what they’re saying, but generally don’t care about style, verbal precision, tightening, and pragmatic cutting suggestions to hit word-count limits.

Those who write to write are typically attached to every word and comma, but can be surprisingly indifferent to substantial content edits and highly open to saying entirely different things than they originally set out to.

I must be mostly of the latter, affirmed by my not having thought enough across the decades to even note the schism.

That said, the best writing is where the thinking may be primary but the author has been an artist over the supporting form.

Wednesday, June 17th, 2026

Amit Segal, longer than usual for his It’s Noon in Israel newsletter, posits the perennial faultline in Israel politics: Jewish vs Israeli.

“Jewish” and “Israeli” are simply the two tenets of Israel’s self-definition as a Jewish and democratic state ⁠— not in open contradiction, since most Israelis hold both, but forever rubbing against each other. Like asking whether strawberry-banana yogurt is more strawberry or banana, Israelis are endlessly asked, in one disguise or another, whether they are slightly more Jewish than democratic or the reverse. Once you see it, most of the news in the country ⁠— most push notifications, most studio shouting matches ⁠— dissolves into that same question, with a thin veneer of fresh event on top.

Segal himself straddles the divide nicely, as does the society writ large, part and parcel of the fading Ashkenazi/Sephardi divide. In my thin slice of observation, secular Israelis who delight in eating swine abroad now light candles and recite more complete prayers at home for Friday night dinner than they used to ⁠— indeed holding Friday night dinner itself is the gateway. And there are so many gateways.

I do however take issue with Amit’s characterization of the Israeli/left side:

Of course we are Jewish, the left answers ⁠— the flag is essentially a prayer shawl, the emblem is the Temple menorah, every kindergartner comes home Friday with a challah ⁠— but that is the décor, not the purpose; the purpose is to be the only democracy in the Middle East.

Instead, it seems to me that people on this side, those of the “villa in the jungle” view, would rather just forget about the jungle; being “the only X in the Middle East” is merely apologetics, not identity. Rather, it’s about being a liberal democracy simply because that is the enlightened, obvious, natural thing to be; anyone with a Yiddisher kopf can see that. And as for the Right downgrading democracy to merely being the operating system, well, that’s what Judaism itself arguably is too, so being the OS is no small thing.