The Beauty of Rain

The Beauty of Rain

Rain makes the rocks shine. It puts in motion things that are otherwise static. It illustrates gravity most prettily.

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here is nothing like the beauty of rain; it makes the rocks shine, it puts in motion things that are otherwise static, it illustrates gravity most prettily. The problem is, you have to get wet to be outside and enjoy it, no? No, no longer. Today we can purchase rainwear easily and inexpensively, allowing us to splash about unfettered, both hands free, in the flashing, dropping, gorgeous rain.

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There’s nothing like being out in the rain for hours on end without getting wet. There’s nobody else out there, so you feel like you have the earth to yourself. The Japanese have an appreciation for the aesthetics of rain, though I think that rainwear, as opposed to the umbrella, is a bit inelegant for them. I’m sure I don’t contribute to the beauty of the scene in my Froggtoggs.

I’m looking around for a poster I saw up around town when I was in Kyoto, it was of a man and a woman passing each other in the rain, she with her umbrella modestly covering her face. It was beautiful and chaste and sexy and exotic and sophisticated and plain all at once. I looked around and couldn’t find it, but I did find a photographer’s blog based in Kyoto, Alive in Kyoto and boy it recaptures some of the beauty of the place for me, and it led me to the web site of the painter who did this, to yer right.

To me, Kyoto has echoes of Jerusalem; they are both holy cities, full of temples and nestled among hills. But whereas Jerusalem seems more fraught, Kyoto seems more elegant; and of course, elegance is a more valued part of Japanese spirituality than it is Judeo-Christian. Which is why it’s such a delight for us Occidentals.

The Trail

Wednesday, June 17th, 2026

Amit Segal, longer than usual for his It’s Noon in Israel newsletter, posits the perennial faultline in Israel politics: Jewish vs Israeli.

“Jewish” and “Israeli” are simply the two tenets of Israel’s self-definition as a Jewish and democratic state ⁠— not in open contradiction, since most Israelis hold both, but forever rubbing against each other. Like asking whether strawberry-banana yogurt is more strawberry or banana, Israelis are endlessly asked, in one disguise or another, whether they are slightly more Jewish than democratic or the reverse. Once you see it, most of the news in the country ⁠— most push notifications, most studio shouting matches ⁠— dissolves into that same question, with a thin veneer of fresh event on top.

Segal himself straddles the divide nicely, as does the society writ large, part and parcel of the fading Ashkenazi/Sephardi divide. In my thin slice of observation, secular Israelis who delight in eating swine abroad now light candles and recite more complete prayers at home for Friday night dinner than they used to ⁠— indeed holding Friday night dinner itself is the gateway. And there are so many gateways.

I do however take issue with Amit’s characterization of the Israeli/left side:

Of course we are Jewish, the left answers ⁠— the flag is essentially a prayer shawl, the emblem is the Temple menorah, every kindergartner comes home Friday with a challah ⁠— but that is the décor, not the purpose; the purpose is to be the only democracy in the Middle East.

Instead, it seems to me that people on this side, those of the “villa in the jungle” view, would rather just forget about the jungle; being “the only X in the Middle East” is merely apologetics, not identity. Rather, it’s about being a liberal democracy simply because that is the enlightened, obvious, natural thing to be; anyone with a Yiddisher kopf can see that. And as for the Right downgrading democracy to merely being the operating system, well, that’s what Judaism itself arguably is too, so being the OS is no small thing.

I don’t go to synagogue but the synagogue that I don’t go to is Orthodox.

David Ben-Gurion

Friday, June 12th, 2026

Francesco Parrino is getting the Benny and Björn spirit of things here with his piano cover of Super Trouper, probably my favorite ABBA song ⁠— though like with other covers of his I’ve listened to, I enjoy the first half of the track more than the second.